On Wednesday, we mentioned the weirdly prosaic reason why heavy metal makes such repeated use of the Devil’s Interval. Today, here’s the weirdly prosaic reason that the Chicago house sound developed.
Schoolfriends Juan Atkins, Kevin Saunderson and Derrick May bought a Roland drum machine early in the 80s and started to play around on synthesisers together until they developed the sound that became Detroit techno.
The story goes that one month May couldn’t pay his rent so decided to sell some of his old production equipment – but Atkins warned him not to sell any of it to their rival Detroit DJs or producers who might copy them.
So May made a trip out to Chicago to sell a spare Roland 909 to someone there instead. The DJ at the Warehouse club, Chicago house pioneer… Frankie Knuckles. |