Every year, like clockwork, the British public is astonished when we absolutely spoon our annual entry in the Eurovision Song Contest – but the BBC is changing things up for 2019. Now, more than ever, the Popbitch patented Eurovision method is going to be vital in ensuring we pick a winner. So let’s pull apart the songs and see what we’re working with here, shall we…?
Bruno Mars has definitely found his groove. After a series of successful, yet sonically schizophrenic, singles the pint-sized popster has settled into a sound that he clearly really likes. From Treasure, to Uptown Funk, to 24K Magic – and now Finesse – he’s clearly making the funk work for him. But are we wrong to think that it all sounds a bit familiar?
Once a reliable refuge from the miseries of the modern world, the pop charts are becoming every bit as grim as real life. 2017 in particular has really seen things take a turn for the maudlin – but why is it happening? Why are we so obsessed with sad sounding songs at the moment?
After a decade of women performing the national anthem at the Super Bowl, 2017 saw all-American country singer Luke Bryan belt out the Star Spangled Banner. It was well-received, hailed as a return to tradition, but was it actually? We scratched the surface – and found something unusual about it…
Weird though it seems, Sam Smith’s song – Writing’s On The Wall – has become the first Bond theme ever to top the charts. How has Sam Smith managed it? We stripped all twenty-three Bond songs down to their bare essentials to see if there was any explanation for it. Any explanation at all.