InfoWars conspiracy theorist Alex Jones has a long and inglorious history of branding school shootings as staged hoaxes – but this time around the view that the kids at the centre of it are deep state stooges isn’t just a crazed fringe opinion. It’s started going mainstream…
The premise of the show was simple. It needed nothing in the way of technology, expertise or budget, yet the results would revolutionise television and create a brand new genre of programming. Had it not been for the Writers’ Guild Strike of 1988 though – and the dogged persistence of one man – the show that sparked that revolution might never have made it to air.
When things are running smoothly you may not feel that Hollywood has much of an effect on your life. But when it’s put on hold, terrible things can happen. Thirty years after the 1988 writers’ strike began – and ten years after the 2007 one ended – we unpick the peculiar and profound effect that the Writers Guild of America has inadvertently had on media, pop culture and international politics.
The criminal underworld of New York, the closed corridors of Washington, the magazine industry of Florida. They’re all very interesting – no question about that – but these aren’t regular people we’ve been talking about here. For the National Enquirer to cut any sway with millions of average American Joes, things would have to change. They’d have to go corporate. Which is where American Media, Inc. comes into play.